
The 30-second ad was the standard for advertising for as long as anyone can remember. Budgets, briefs, and strategies were designed to be used to exploit its full benefit. All brands had thirty seconds to present a prevalent problem, offer their solution and leave the customer with a catchy tag. The bulk of Indian classic ads were made in this structure.
This structure no longer exists, or has at least been bastardised. People’s attention is now split between reels, shorts, stories and forgettable brand plugs. The king has died, long live the king.
When the 30-second ad ruled the market, there were just a few channels and audiences were hooked on them. Doordarshan viewers consumed the same ad again and again, because there was nowhere else to go. The format's strength was in the lack of options, not its length.
The power dynamic has shifted; the consumer is now more knowledgeable and connected, and is in control. With this paradigm shift, brands rarely get the full thirty seconds they paid for; most ads are given a verdict within the first two or three seconds, and if they don't compel, they are brushed aside, literally.
The ads nowadays are far shorter: six-second bumpers, nine-second reels, and single frames that serve as all-encompassing thumbnails to convince consumers not to skip. Zomato and Duolingo have built entire campaigns around their quick wit, counting on people to get it and share it.
Shorter ads require more precision and planning than a 30-second ad ever did. In this current era of quick fixes, every word, frame and message needs to be snappy; there’s no build-up time.
TV ads have a set of rules that they must adhere to, a clear consumer, and a clear story structure. Social ads follow their own rules. Most people scroll in silence, so they need to deliver in silence; they must make sense paused mid-frame. Context isn’t always a given, so if a viewer lands on any part of the ad, it must still deliver.
Starting with a TV script and then cutting it down to fit digital misses the point. The medium should come first, and then the script must be tailored to it.
The basics haven’t changed. You still need a setup and a punchline; it still needs to be clear. A good line sticks with you long after it ends; the only differentiating factor is the time brands have to get their message across. What took thirty seconds a few years ago now only gets three.
Every relevant and intelligent brand treats each format as an individual discipline, not just as an updated version of the old media. An ad, a static post, a carousel, and a reel are all different, and a knowledgeable brand writes for each format.
The thirty-second ad didn’t just vanish into thin air because people no longer have the attention spans for them, but because the platforms no longer hold audiences. While the new format still requires just as much effort, brands not willing to evolve with the times have fallen behind.

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The 30-second ad was the standard for advertising for as long as anyone can remember. Budgets, briefs, and strategies were designed around it. Today, attention is split between reels, shorts and stories, and most ads get their verdict within the first two or three seconds.

In 2009, IKEA swapped Futura for Verdana. The products and the copy were unchanged, but a brand famous for thoughtful design suddenly felt generic. Typography is the first impression your brand makes, and it gets read before a single word does.